Thursday, June 28, 2007

Mr Prime Minister

The chancellor became the Prime minister today of the kingdom.
Gordan Brown has been at the spotlight of all new labour strategic decisions for over a decade and as promised by Tony Blair in the controversial settlement over dinner(courtesy Mr Trescott) arguibly the most powerfull chancellor ever in British hstory.

Though Iraq war was a blunder and distroyed Blair's legacy(Unlike Mrs Thatcher who was made by Folklands war) Tony undoubtably was a brilliant Orator. The man knew the nerves of the media and even though called them the federal beast in his end days was very comfortable even with the most difficult of questions by the uncapped UK media.

Brown on the other hand looks very serious and does not have the charm and charisma of Tony , control freak as he is known has been trying really hard to change his image in public eye by floating the change coin and rolling in the torreys in his side of politics but till now the policy has failed with noone relly looking keen to join his government.
Also as most British according to BBC polls(68%) think there should be a re election it is debatable if this is the best time for Brown to take the seat which has come after a 13 year wait since 1994 when he gave away his chance to make tony blair the leader of labour(then in opposition).
Though noone would doubt his efforts in the last 13 years to transform labour (now called new labour) and his ideas and intellect which has seen UK grow strenghth by strenght as an economy in the last decade unlike the rough times it had seen previously.The only queation is his ability beyond economics.
The very first address to the public as the Prime Minister today(From 10 downing street) wasalso a little nervous and he looked overwhelmed by the fact that he eventually has got the top job. His words though definately rehersed lacked the power and genuineness which Blair's speech had at his last round of Prime Ministers questions at the house of common's. The standing applause meant that the spotlight was still at the man going out rather than the man coming In.
The new job as the Middle east envoy also stamped the fact that Tony though has given his last salute to British politics will still be national news, a powerful figure on global stage and midst the war 'against terrorism'( ! ).

Thursday, June 14, 2007

Ten Minutes for Shekesphere

Ten minutes for Shakespeare#

(Rehearsal Space.Naked Stage.A heap of clothes is seen in the middle of the stage.A slow movement becomes apparent with a light music in the background.An old grey beard man with a lot of wrinkles on the face mutters.)
SHAKESPEARE:Yryruywqoie3yr873698218-045=4-2q3ie982q36e87yt4d87347……….

(Nothing is clear until he realizes people/ audience in front of him. He looks anxiously as if he is identifying somebody there. He yawns (awaken from a long slumber)

.He mutters some lines…nods his head…tries to remember more…repeats.He gets stuck in between…could not complete the line).(Suddenly he realizes that there are clothes.)(He mutters again…)

SHAKESPEARE:King lear,macbeth,hamlet, Othello,Richard ll,merchant of Venice….Shylock.Anagnorosis,hubris,hamartia,Nemesis,Peripety,sense of reality,sense of imagination,crisis, desire, conflict,psychological action, beat, shift in charge…moment of recognition…more…moreReversal…reversal, yeah I need one. My play is not complete.I need to have a conflict, at least a crisis followed by Plot points. I’m incapable to find them . what is happening to me . the trauma of this modern world has taken me over. What theatre are these guys doing. They have stopped doing my originals, if I can call them so.

SHAKESPEARE:(a deep pause…conceding)We all take inspiration …I always admired Christopher Marlowe but my technique was different.Look (raises his finger towards the right stage)Look, this director Roysten Abel , he’s killing me…my literary work.Talk of Drama and people swear on me and this keraliite has thrashed my unsurpassed work to bits and pieces …

(Royeston abel is one of the finest indian theatre director , i have had the privilage to work with him(as an actor) in his production called Brain Child in new delhi last year , He has also made the film "IN OTHELO" which released in the UK as well) MUCH ADO ABOUT NAUTANKI…(a play by royston in 2003)What shit is this Nautanki. They claim it as a folk form of India .OK then do that…why the hell are you lifting names of my plays and twisting them.

(nautanki is a cultural theatre form in india)

(aggressively) how’ll you justify “Othello in black and white” and “Romeo and Juliet in Technicolor”.(other plays in india by roy)What f#@$ing shit …technicolorBetter make a film Roy.(POINTING AT SOMEONE IN THE AUDIENCE, VERY AGGRESSIVELY)Not only this, this chap has crossed all the limits…this Mansukhani, Vivek Mansukhani.
(VIVEK IS ALSO A FAMOUS DIRECTOR FROM INDIA)
He staged my work in 90 minutes and sold it as a complete works of Shakespeare abridged.(90 MINUTES OF SHAKESPHERE ABBRIDGED WAS A PLAY BY VIVEK IN 2001 AND WAS A HUGE 'COMMERCIAL' SUCCESS)It took me 40 years to create a reputation for myself and you bloody dare to ruin it in 90 minutes…I’ll file a suit against these buggers, I’ll have copyrights. I would not let it go.(Character transformation)Hamlet’ soliloquyTo be or not to be…………..(Shakespeare’ comment)Jao aur ja ke apni swamini se keh do ki maeri sharab ki vyavastha ho gayi ho to mujhe ghanti maar kar udha diya jaye, phir tum ja kar so sakti hon....


……………………………………………………………..(Shakespeare angry with the translated version)Jaaoo aur jaakar apni swamini se keh do agar hamare sharaab ki vyavastha hon gayi hon toh hummen ghanti maar kar utha diya jaye, phir tum jaakar soo sakti hon....etc etc

(THIS IS A PIECE FROM HAMLET IN HINDI BUT IS FAR FROM ORIGNAL WHICH CAN BE DONE VERY STYLIZED AS I HAVE SEEN A FEW PERFORNCES OF THE SAME WHICH SHAKESPEARE WILL SURELY NOT LIKE:), )
(Back to shekesphere(narrator) , asking
Why dont you do my orignals?( Hold the scene)
(asking the audience)

Last four lines of Romeo and Juliet……..(He goes back to his initial position with frustration, anger and aggression)

THE END

Kuljeet Singh